Rotating your camera 90 degree will immediately make your images look more professional and planned. The lenses on camera phones are extremely sturdy, so a quick wipe is critical to taking a clean shot. Beach stock shots - shot for Flex Events.

(Image: https://live.staticflickr.com/5599/15500100355_1cc68efe71_m.jpg)The most common question I get in my email from aspiring photographers is “how do I get paid to shoot.” This usually has the same follow-ons, 1) I've shot for free but now want to get paid, 2) I don't know what to charge, 3) I don't know what to give clients, and so on. By no means do I have all the secrets, but I want to spell out a few of the key points in my mind to turn you from just aspiring to actually making money taking photos. Further, all the images shouldn't be from the exact same event. Examples would be having multiple photos of barbells locked out overhead, head to toe setup shots, or repeated exhaustion photos.

Shooting in an indoor environment, that 1.8 will allow you to get a ton of extra light in the camera and allow you to make up for camera bodies that don't shirt printing dubai have high ISO capabilities. Does me not having this lens/camera body / light / gizmo mean I can't get a shot or mean I can't book a job? I almost always get everything used, that includes camera bodies and lenses.

Shooting with this camera just makes my life easier. Oh right, the buffer on low-end cameras fills up after a few clicks in a second when shooting RAW. Lastly, some of the bread and butter images that are just too much fun to capture were doing the snatch/clean & jerk event.

Secondly, during the event, I ran up to the top of the arena a few times to try and shoot down and catch the action from above. These are shots trying to show the scale of the event, or are from angles not usually seen. Yes, there is absolutely a place when delivering the entire stack of images for highlights of each athlete competing, but the images that are really going to be important are of the team working (or not working) together, and teams battling against each other.

I've talked about it before , but often for my images to stand out, I try to shoot very tight on athletes during competition. On the more technical shooting side, I think this was a great event to highlight how you have to shoot to tell the story, not just deliver the same photo over and over. I actually realized after the blur of shooting for two hours, how well everything actually went to plan.

Again, there are basically no breaks during the event, and little time to really confer with one another once the action starts.